 Artist: Sarcofago: mp3 download Genre(s): Rock Metal: Death,Black Discography:  Nights In Hell Year: 2001 Tracks: 10  The Laws Of Scourge Year: 2000 Tracks: 9  Crust Year: 1997 Tracks: 4  Hate Year: 1994 Tracks: 10  Inri Year: 1987 Tracks: 15 Along with the at present legendary Sepultura, Sarcófago (translation: "sarcophagus") integrated the turn one wave of Brazilian death metallic element bands, a ragged collective that stormed kO'd of the South American carry Nation just as it was emergent from decades played out under an oppressive military caesarism. Though the country's metallic element view was clearly diminished and close-knight at the time, from the very submit off Sarcófago was committed to doing things other than. Not only were they the nigh extreme and unprocurable of Brazil's early destruction admixture champions, verging on and, some title, pioneering what would by and by be known as stark metal, merely they besides embraced the ostensibly contradictory elements of spunk rock to boot. And even though this theme approach finally didn't spell out a recipe for widespread winner, it for certain made Sarcófago impossible to ignore.Guitarist and growler Wagner Lamounier (Antichrist to his friends) started Sarcófago in Belo Horizonte, Brazil, in 1985, in brief after organism booted kayoed of fellow demolition metal upstarts Sepultura, and igniting a bitter argument that would rage for age to come up. The band's card was in perpetual magnetic flux early on, simply by the goal of the following year, Sarcófago had managed to record three hopeful demos, that is to say Satanic Lust, Bleak Vomit, and the infamous Christ's Death -- all of which circulated in the tape-trading resistance and helped the dance band rapier a small simply fanatical following. Bassist Gerald Minelli (aka Incubus), guitarist Zéber (Butcher), and drummer Eduardo (D.D. Crazy) were presently on board and Sarcófago signed with local metallic element imprint Cogumelo Records, which issued their debut full-length, I.N.R.I., in July 1987. From the very starting time and unlike most of their peers, Sarcófago's embryonic expiry metallic element fury was more than openly accepting of touchwood rock attitudes (attestor Lamounier's cautiously groomed mohawk haircut on the album's twine up), which, at the time, established heavy metallic element fans' natural enemies. This contradiction earned them regard in some living quarters as unwitting crossing pioneers, just likewise lED to monolithic brawls (and another longstanding boeuf with literal punkers Ratos de Porão) between the deuce melodious tribes whenever the stripe made one of its rare concert appearances.Sarcófago was stripped mastered to a trio (including newfangled drummer Joker) come 1989's bright focused Rot. Arguably their finest moment, the phonograph recording album rewarded the grouping with their number 1 widespread indemnity coverage oversea, where some overexcited members of the specialised metallic element press seemed confident that Sarcófago could keep back gait with their fast-rising compatriots/adversaries Sepultura, themselves already on the firm cut to worldwide excrescence. But Sarcófago's inability (or refusal) to enlistment on a regular base made this all just unaccepted, and before long, nigh of the international bombilate encompassing the exit had faded away. A raw drummer, Lucio Olliver, and second guitar player Fabio Jhasko were brought in for 1991's incrementally realised The Laws of Scourge, after which Sarcófago at long last did hit the route in Europe and South America for what would prove to be their biggest touring stint e'er. Still, it wasn't sufficiency to growth their popularity abroad, mend at seat the gang remained talk outcasts because of their staunch anti-Christian posture and as offensive imagination. An drawn-out layoff followed 1992's Crush, Kill, Destroy EP and, fall 1994's Hatred LP (intended to be the fastest, virtually brutal record album of all time), Lamounier and Minelli made the controversial decisiveness to resolve their constant drummer issues by programming a simple machine. Brazilian heavy metal was entrance a geological period of turn down by this clip, anyway, and Sarcófago seemed felicitous to melt into the background after days of saturated grafting, only resurfacing on juncture with releases like 1995's Decade of Decay assemblage, 1997's ironically named The Worst, and 2000's Crust EP. |
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